'Bhool Chuk Maaf' crosses the Rs 50 crore mark

Rajkummar Rao and Wamiqa Gabbi’s latest release ‘Bhool Chuk Maaf’ is proving to be solid at box office. The time-loop romantic drama, directed by Karan Sharma, hit cinemas on 23 May and has steadily won over audiences.

Despite an earlier plan for a direct OTT release, the makers brought the film to theatres, and it seems like the decision has paid off!Big jump on the second SaturdayAccording to early estimates by Sacnilk, the film saw a strong jump in collections on its second Saturday, earning Rs. 5.15 crore on Day 9. With this, the total box office collection now stands at an impressive Rs. 52.50 crore. Not bad for a film that had a modest start but picked up thanks to good word of mouth!Day 9 occupancyOn Saturday, 31 May 2025, ‘Bhool Chuk Maaf’ recorded an overall Hindi occupancy of 18.02%.

The film started slow with 7.52% occupancy in morning shows but picked up pace as the day progressed. Afternoon shows saw 19.34%, evening shows climbed to 21.32%, and night shows peaked at 23.91%.Day-wise Box Office collection breakdownLet’s take a quick look at how the film has performed each day at the Indian box office:

About ‘Bhool Chuk Maaf’The story is set in the holy city of Banaras, where we meet Ranjan, played by Rajkummar Rao.

He’s head over heels in love with Titli, played by Wamiqa Gabbi, and wants to marry her. But there’s a catch—he believes he must land a government job first.Things get tricky when Ranjan breaks a promise made to Lord Shiva, and suddenly, his life turns upside down. He finds himself stuck in a time loop, repeating the same day again and again. What follows is a funny, touching journey filled with second chances, spiritual lessons, and the importance of doing the right thing.What the reviews say‘Bhool Chuk Maaf’ has had mixed feedback from critics, but many agree it’s an entertaining watch. The ETimes review gave the film 3 out of 5 stars and noted, “The first half takes a bit too long to get to the point with innumerable songs added for no rhyme or reason. Humour is largely clean and safe if you excuse the occasional ‘tatti jokes’. It’s the second half that changes the game. It is here that the film addresses growing apathy, isolated existence, and self-centric living.

”