When Bollywood Paid Tribute to Lord Hanuman

Pal Sharma played the role of Hanuman in Sampoorna Ramayan (1961), directed by Babubhai Mistry. His portrayal is considered one of the first significant cinematic representations of the deity. Though details of his performance may be sparse today, his role laid the foundation for future interpretations. Sharma's depiction helped bring this beloved mythological figure to life for a broader audience, establishing an enduring image of Hanuman in early Indian cinema.

Dara Singh became a household name with his powerful portrayal of Hanuman in Bajrangbali (1976) and later in Ramanand Sagar’s iconic TV series Ramayan. His strong physique and commanding screen presence made him the perfect embodiment of the mighty Hanuman. Dara Singh’s performance in Ramayan became legendary, and for many, he remains the definitive Hanuman. His dedication to the role and respectful portrayal deeply resonated with viewers, ensuring his place in the cultural memory of generations.

Carrying forward his father’s legacy, Vindoo Dara Singh stepped into the role of Hanuman in the television show Jai Veer Hanuman and the Telugu film Sri Ramadasu (2006). While echoing traits from his father's performance, Vindoo brought his own interpretation to the character. His appearances across different mediums helped reinforce the Dara Singh family's long-standing association with the role and allowed a new generation to connect with the deity.

In Hanu-Man (2024), a Telugu superhero film directed by Prasanth Varma, Teja Sajja reimagined Hanuman in a contemporary superhero avatar. The film received critical acclaim and widespread recognition for blending mythological elements with modern storytelling. Teja’s portrayal emphasized both the divine powers and spiritual depth of Hanuman, appealing to devotees and superhero fans alike. His performance reflected strength, humility, and devotion—qualities central to the character of Hanuman, presented through a bold, new cinematic lens.

In the 2023 film Adipurush, directed by Om Raut, Devdatta Nage brought a digitally enhanced version of Hanuman to the screen. With modern CGI and grand visuals, this big-budget adaptation sought to introduce the epic to a new generation. Devdatta’s performance was pivotal in balancing traditional reverence with cinematic spectacle, making Hanuman accessible to younger viewers while respecting the deity’s mythological roots.

In Mani Ratnam’s film Raavan (2010), Govinda offered a modern and unconventional take on Hanuman’s character. Though set in a contemporary context, the role retained key aspects of Hanuman’s essence—loyalty, intelligence, and devotion. This reinterpretation allowed audiences to engage with the mythological figure in a novel way, demonstrating the flexibility and timeless relevance of Hanuman’s story.

In Kalyug Aur Ramayan (1987), Manoj Kumar portrayed Hanuman in a narrative that merged the mythological with the modern. Known for films with patriotic and social themes, Kumar infused his interpretation with moral and ethical depth. The film aimed to draw parallels between the ancient epic and contemporary society, using Hanuman as a symbol of timeless virtues applicable in any era.